P A R A G R A P H S
sunday 7/1/07
love is just emotion on the make
legs overboard on my roof talking to you on
yours, canyon between too far to jump. wouldn't
anyway. rubber tar surface heel depressed oozes
back like a giant snail. when you smile i can't
see it in the bloodshot night even with a fat
yellow moon. gesturing nicotine fingers (orange
tip circles a bette davis drag), watery emotional
voices sloppy with booze makes me wonder about
everything. nearly next to you - but better
not. not tonight. as if shouting across a line
of sheeted laundry - we're safe this way. black
pant legs damp sneakers off the end of a rooftop
dock-o'-the-bay. clinking ice worth the whole
damn night.
monday 7/9/07
the 'regular'
read in BUTT (as in GAYbutt) that year-of-magical-drinking
Kiki (of Kiki n Herb) decides that not drinking
one day a week is good for the kidneys and liver.
i take her advice - though my room mate tells
me i don't drink enough for any of this to matter.
so what? give it a shot. take sunday off the
bud lites and spend it with a book, knees under,
pumpkin lampshade overhead feeling 'clean' because
4 buds at the behan, midnight to 1, takes it's
toll and lo n behold - the day after is one
crystal sky. what i do miss by not going to
my regular chair are the big arms of friends,
how they look up when another bangs in the door.
the laughs the red sox analysis the latest gossip
the nod into the night from the unknown bum
who's not afraid to talk, who wants to tell
his life to a stranger. the cute one at the
end of the bar who has me thinking about him
when he's not around who was so much fun to
spar with the night before even as he avoids
me next time 'round when i look to see if there's
that spark in his eye when he sees me laughing
like an idiot over nothing funny.
sunday 7/14
fantasy nails
a few birthdays back i decide to creep up on
fantasy nails on centre st (didn't want t be
caught with feet in swirl bucket by unsuspecting
friends) to get a pedicure from the vietnamese
lady - a ferocious one who pulls one foot out
of the swirl bucket and goes at my toenails
with a pair of cutter teeth that look like the
choppers on a stainless steel psycho beaver.
i stare at japanese rock videos on a silent
screen. my feet shrivel in the swirl. to be
honest, i'm glad to get the lady; the guy's
too delicate (a subtle application of eye liner).
i want tough love from the bitch on my gnarled,
dog-hard toes, warped into gruesome ugliness
when, as a killer nun in neverland, i leaped
from the stage, landed on a electric cable and
broke a foot. you don't get a cast for this
kind of injury. you hobble and wait and in the
end your foot is a disaster. that photo of Baryshnikov's
feet? decades of crushed 'on point'? like that.
my big right toe is twisted and bent, my toenails
look like fungus muffins. which is why i treat
myself to fantasy nails in the first place:
the makeover. lifting one heel out of water,
dragon lady swipes a cheese slicer across the
bottom of my foot and scrapes centuries of yellow
callous into the bubbly in larded lumps. the
bottoms of my feet are now soft as a puppy's
belly. but i'm worried. i remember of polanski's
'repulsion'. catherine deneuve as a manicurist
snips a vein paring the cuticles of an elderly
man. black blood squirts over white linen, soundless
screams ricochet off the walls. (my fantasy
at fantasy nails becomes a nightmare.) an arsonist
torched the place last year and now fantasy
nails is kaput. i try alternatives. none make
the grade. who's gonna make my feet once-a-year
new now? moi. privatization. when my room mates
are outa the apartment i fill a spaghetti pot
with water, soak, and chop my screwed up nails,
one foot hiked on the tub, ass on toilet, cat
meowing outside the door. see, with the soak
pot replacing the hi-end swirl im still able
to snip my softened nails and nibble off the
wierd, stonehenge shapes with impunity. i feel
naughty and in-a-hurry fearful of the unexpected
room mate catching me in the act, like mom coming
in a teenage bedroom at 'the wrong time'.
thursday 7/26
jimmy doody
i was born in sioux city. my sister janie in
tuscon. lisa in san francisco. dad made a lotta
moves. we didn't actually live in san francisco,
but across the bay in oakland. when i tell someone
about my past however, i always say san francisco
cuz it seems, i dunno, cooler, even thought
it isn't. i sort of remember how it was, even
though i was only 5. three story walkup. narrow
stairs. dark interior. i went to a school where
you're supposed to learn immersion french. the
teacher, when i arrived my first day, was cleaning
piano keys with a cloth. one note at a time.
boong...boong......BOONG. never looked up. scared
me, but i sweated it out i guess. walked home
with a classmate and we'd throw rocks through
the windows of an abandoned house, set back
from the road, wild lawn, broken gate, discarded
biked - a nightmare landscape. rock would shatter
glass, hit something weirdly soft and a howl
curled up out of the dark recess, freaking the
shit out of of us. we'd run away shrieking and
laughing, high as kites. i made my first best
friends out there. jimmy and judy. 'jimmy doody'.
they didn't go to my school but we met up in
the afternoon and invented stuff to do. one
day we pulled turds out of the toilet, wrapped
them in christmas paper and tried selling them
door to door. our thinking: there was So Much
of it maybe a fortune could be made. needless
to say... my dad had a pale green desoto with
heavy steel doors that made a sure sound when
you shoved them shut. smelled new inside, like
leather and gasoline. we took her for a spin
across the oakland bridge, one of those with
a road surface made of metal gauze. you could
see the bay rippling underneath. janie sat shotgun,
i was in the middle. her door swung open. her
hand on the latch, half her body stretched away
from the seat, one foot swinging like a doll's.
i could see the blink blinking of the bridge
girders flickering underneath. i grabbed her
by the wrist and pulled her in. dad was yelling.
as i picture it, as it tell it, i saved her
life, but i probably made the whole thing up.
a month later i swallowed a peach pit. couldn't
'go' for days. they took me to the emergency
room. the doctor snapped on a rubber glove,
smeared it with goo and pulled the doody out
of my ass. jimmy doody. i trace a lot of who
i am back to that moment.
thursday 8/12
match anthropomorphized
a late shit in the early am. a get up after
4 beers stinko dark black evacuation. a skunk
turd. repulsive sulfurous fumes. light a cheerful
match to suck up the stench. flush. not good.
not good enough. another. flame bursts, eats
up the slithering oily air. i drop the dead
match into the toilet. it's strangely heavy.
too heavy to float. sinks to the edge of the
hole. the precipice. it looks lonely as if it
knew it was on it's way out. like orpheus i
look down when i shouldn't and see it - the
match as euridice - she can't come back up,
i've seen her. no return to paradise. my match
= euridice and looks sad, like the friend i
was talking to the other night who sees no way
out of his dilemma.
thursday 8/25
unicorn horn
as a kid, an 11 year old boy, i found in the
woods near our big white house in Connecticut,
an antler, or horn. it was nearly three feet
long, smooth ivory, a twisted yellowing tusk.
i knew it belonged to a Unicorn. it had to.
there was no other explanation. i buried it
under wet leaves + put a boy's spell on it for
safe keeping. i told people about it but never
showed it to anyone. finally, it was lost, or
decayed into the ground or ether. magic for
sure. i still remember it like a favorite character
in a book that stayed with me, or a lover from
a dream too real for reality.
saturday 9/1
reflections in golden eyes (put
another way: porn saves the sexless night)
this is not a lament. it really isn't. it's
just that after a certain point, a certain age,
we succumb to gravity. we have no choice. all
the jogging and lifting and diets in the world
lose the battle. evaporating gradually (as if
we ever had it) is the commodity of the smooth
handsome face, tight under chin, lean upper
arms, hammock-less under-eyes, fabulous hair.
we cut loose the possibility of Something Ever
Happening With A Future (ie 'a relationship').
our surface Self, the one we mock with false
modesty, loses it's persuasive lure. we let
it go. we have to. instead we employ the brutal
truth, honesty as a con, our 'charming' seduction
repertoire transmogrified into the quiet qualities
of The Listener. youth - the only 'true aphrodisiac'
(Rene Ricard) - stops checking us out and looks
to others. I remember my Mom, Jane Kinscherf,
trying on wigs to hide the hair that had fallen
out after weeks of chemotherapy: 'God, I look
so old!' her vanity loosely intact but shrugged
off in the end with a laugh. it's more weird
than sad - the old face refusing to recognize
itself, hallucinating a younger version through
through the impressionistic blur of squinted
eyes. inevitably, deep down, we're pretty sure
that we remain that same compelling, fascinating,
oddball soul we've always been. that we still
have much to ask, to give, to love, to be funny
about. but today, at the onset of our greeting
card 'sunset years' we reinvent the way we love.
it is no longer about the chase, about roping
someone in, or having them 'see' us. it's about
seeing them in a way that serves their needs
and not our own centrifugal neuroses. there's
no preparing for this. no text to teach or thumb
through - Romance for Old Dummies. late love
has it's own slow momentum and moral impetus.
the beautiful, unreachable, untouchable boy
loves us when he feels like it, not as any falsely
flattering sexual fantasy, but because he senses
safe houses in our hooded eyes: 'this one has
traveled the long love road'. Uncle Awareness
is The Man (our new vanity). the beloved and
the ancient sleep side-by-side, goat beside
shepherd boy undisturbed on some bright Mediterranean
island where beings merge without ownership
or showboat passion.
monday 9/17
miss zablocki's tits
my 3rd grade teacher, miss zablocki, would stand
behind you and gently lower her tits onto your
shoulders, placing them there it seemed, warm
sleepy kittens against neck, to encourage wonder
and confusion. would tit A slide down your chest
like dough? would tit B shift and locate an
bra-less nipple against nervous skin? would
they smell funny, like sour milk? when would
they lift off gradually or with a snap? did
every kid in class, boy or girl, get the same
pair of presents? we never got anwers. we never
talked about it. we held her in awe and mild
fear. an angry miss zablocki would swat her
hand on your desk so hard you jumped. if it
hurt her too much she'd use your hand and smack
it on the desk instead. whatever you'd done
to piss her off you never did again. sometimes,
to get your attention, she'd force the entire
class to stare at the black board where she'd
draw a giant chalk circle that zeroed in (a
concentric spiral) like an old fashioned hollywood
special effect implying 'crazy'. you'd become
discombobulated, nauseous, woozy. in better
spirits she'd tell us about her travels abroad.
(i think she went alone). floating like balsa
wood in the dead sea or playing canasta on a
card table in the great salt lake. she maintained
a seated position because the salt was buoyant.
(this was hard to picture.) she had dark cherry
lip-sticked lips, bottom lip larger than upper,
with a clown-like exaggeration effective as
either smile or frown. when she snapped her
fingers the flesh under her arm jiggled like
jello. (you weren't supposed to notice.) she
was the 1st exotic character i knew - wild flame-dyed
hair, trumpeting alto, east european exaggerated
hand gestures. she walked to school on cold
days, wearing a loose, partially buttoned, billowing
blouse, spain red hair writhing like medusa
snakes. her long legged high heeled tick tock
steps echoing on the pavement. ever since big
loud women scare the shit out of me. 3rd grade
changes you forever.
monday 10/8
riggy
i spent the spring and summer of 1971 on martha's
vineyard, about a year before band after band
took over my life. 1971 was the tail end of
the summers of love all of which i'd believed
in like a hippie evangelical. a lot of acid
consumed. in fact on my first landing 'on island'
i was ripped. hitched down route 3 with pat
irwin (who describes the vineyard as a 'rich
people's park'). we'd got our last ride from
a 16 wheeler, country and western music splitting
our heads open in slack jawed hallucination.
a short run up to oak bluffs put us in hobbit
town: the gingerbread armful of tiny houses
that looked more imagined than real. we met
up with toby (a friend from cambridge). he'd
had a motorcycle accident and wound up in the
hospital in a room next to a lesbian pilot from
an all-lesbian pilot cove (no kidding - they
flew over the island in v-formation). she offered
him a house on a hill in menemsha. the roof
needed shingling and he could live there until
the job was done. in less than a week five of
us moved in. brought a100 lb bag of brown rice,
kerosene lamps, sleeping bags and an upright
piano that we got for free from a church. we
set it up in the kitchen, banging away as michelle
cooked us vegetarian dinners by lamp light.
vegetables, nudity, pot, booze and lsd ran the
show. this was to be our fucking summer of love,
brakes off. i got a job as a painter for a portuguese
employer who mocked our flimsy beards ('why
cultivate on your chin what grows wild around
your asshole?') but who went easy on us with
our faux on-the-bus lifestyle. we painted big
clapboard houses, high on ladders and drugs
and listened to joni on a boom box until dusk.
there was a kid who pumped gas in town who reminded
me of a wyeth painting, the boy with that huge
listening ear, a farm boy with corn blond hair
and overalls. he came out to our 'farm' for
one of our continual day/night parties, arriving
on a vespa. he vomited in the front seat of
a truck when i went down on him and fled. i
never went back for gas. never saw him again.
we swam in a fresh water pond, walked a sandy
path from there to the ocean, swam in sea where
the pebbles, shells and rocks looked like jewels,
walked back, rinsed off in the fresh water,
drove home, ate drank and started the cycle
all over again. unstoppable. on one clear as
a bell afternoon i dropped a tab, slipped into
the dark pond in flippers, and pumped the circumference
at what felt like 90 mph. round and round and
round on my back, the sky convex above me in
fish eye distortion. back to the beach i heard
my dad ( how the fuck did he get here? how did
he find me?)'riggy! riggy!' he yelled, with
my sister's high school friend priscilla beside
him. he toted a styrofoam carry all crammed
with ice, cups, vodka and tonic which he dipped
into as he hitched and drank his way around
the island. and lo and behold here he was, SURPISE!
with priscilla, plunging naked down the sandy
slope into the water where my skinny dipping
friends treaded water, smiling stoned captain
beefheart 'can't go back to my frown land' ear-t-ear
grins. he appeared overly real under my lsd
lens. he stayed a few nights with us, charming
my hippie room mates and leering at the girls.
he walked in on me going at it with some rock
kid, upstairs in my bedroom, flailing about
in kerosene light. ducked out the door without
a word. i blinked and resumed. at dawn he was
spotted hugging his knees on a rock in the field
cooing 'wiporwil...wiporwil' as if the bird
might land on his shoulder. my dad. honing in
on my hippie summer camp.
thursday, oct 18th
obsession is a player
i am lost in the face body mind of a person.
i'll call him A. wake up to thoughts of him.
go to sleep the same way. don't spend a lot
of time together, but when we do there is a
lock on the chord between us that no noise,
conversation or view can interrupt. this is
of course nothing new in my life. or his. but
when the magnifying glass positions itself above
the heart and soul of the beloved, all else
recedes. obsession is a focus as scary as the
face on a 9th inning closer. predictably enough,
after months of A, B, takes his place. it isn't
a rapid transition, or fickle, but the more
time i spend with B, the more i lose track of
A. divergent lives, divergent worlds, the revolving
romantic door. soon B supersedes A in all areas.
i don't see A at all until one night he unexpectedly
appears backstage. i don't recognize him. i
can't for the life of me remember his name.
i am shocked. not even his name! who is this?
i wonder. who the fuck is this guy who seems
to know me so well? the pattern a cyclical cynical
one: A overtaken by B who, not soon after though
i can't remember when, is replaced by C. a love
whore is what i am.
tuesday 10/23
spit shine
my approach to cleaning has never been thorough.
ask charlie isenberg. 'you never really wash
the dishes.' he would say, pointing out spots
on the glasses, a stray string of pasta under
a plate and then rewash with nose in air. at
the same time i have a snobs abhorrence for
slobs - appearance ahead of truth (at least
have your fucking house LOOK clean). for me
it was always about aesthetics. i like the look
of a clean, apparently orderly apartment. it
pleases me, like table lamps, coloring rooms
with gentle, fantasy-world ambience. very blanche
dubois i suppose. as for the dishes, i burn
them clean, a lazy, green-less sterilization
process that leaves the tap on it's hottest
dial, steam blurring the window above the sink,
until cooked. my oddest idiosyncrasy: the spit
shot. i lob a gob onto an annoying smudge on
the kitchen linoleum and rub the it away with
heel of foot-in-sock. while i'm on the phone,
multitasking with a vengence.
friday 11/2
return to sender
it seems, much as we fight it, on many levels
we become our parents. especially as we get
older. body and personality. i see my mom's
AND my dad's (dick and jane) legs when i throw
mine up and over in the 'plow' (yoga) every
morning. there they are, white as a flounder's
belly, bowling pin calves, brown spots from
the sun recognizable as not mine, theirs. the
under chin, what's left of it, sagged in a straight
line from jaw to throat. just like jane's. the
heavily lidded eyes, chestnut brown, squinting,
like the old man's. toenails warped and twisted
like mum's. (she retained enough vanity to paint
them, crushed and distorted as they were, vampire
red.) back of hands, thick veined, raw, spotted
and crepe papered. belly: distended and sucked
in on the rare occasions when i think it would
make a difference; before i think, fuck it,
who gives a shit, it lolls back out like a poorly
curled bowling ball. like jane, i keep things
neat and throw away anything i'm sick of. like
dick i chase the young. like him i like bars
and dark adventure. like her i'm frugal and
generous at once. like him i never hide from
a good fart. like both of them i love to laugh.
of course in other ways i presume differences,
but im closer to the tree than i'd imagined.
in my sidewalk self i think im young, smooth-faced
and fabulously interesting. not.
monday 11/12
wearing the habit
i repeat myself. over and over and over again.
i pretend that i don't. that i am a creative
person 24/7. i try to break habits, to prove
that i reinvent everything all the time, but
the truth is i can't help it. try as i might
to change this, i get bent out of shape in a
hurry and revert to repetition over and over
again. this is most apparent in the shower:
1) turn on spigot, wait for heat to rise, piss
in the tub while standing outside. 2) reach
and blend cold with hot to scalding - the burn-yourself-clean
technique. 3) left foot then right steps in,
face to hard rain, squeezing eyes against water
as it hits hair line, cupped hands in front
of face to repel niagara in pantheistic prayer
- hair in face shoved up and back, a quick flip
landing collected water in the tub behind me
like a bitch slap. 4) shampoo. 5) soap face,
squint and burn cheeks for soft shave. 6) neck,
upper shoulder, pits, arms, tits, nipples, legs,
balls, cock, under ass, ass crack, asshole with
back facing nozzle. 7) scrape off, bend over,
pull cheeks, douche asshole, check for shit
specks in teeth of bath mat, tweeze out and
nudge down the reluctant drain. 8) squeeze hair.
9) lazy susan turn in the steam, admiring impressionistic
bathroom wall art. 10) twist knobs hard shut,
drag shower curtain to right and towel off in
predictable fashion - face, hair, pulled ears,
head and neck, pits, upper arms, torso, back,
ass, legs n feet. i try reversing procedure:
feet, legs, asshole, ass, arms, etc - but it
was too weird. i'm trapped in a cage i built
myself. i wonder what other parts of my life
assembly line repetition owns. i wonder if any
live-in relationship, or LTR, could survive
these set-in-my-ways parameters. it's way too
late. i fancy myself an improviser and i am
a latin teacher: 'repetitio est mater studiorum'
(repetition is the mother of students).
sunday 11/25
the real thing
we had a silver blue weimeraner named boo (after
boo radley). he had yellow eyes + a sweet disposition
that was unusual for his breed. most of the
ones i'd met were high strung bugged-eyed +
scrawny. boo was a shade on the mournful side.
maybe because we had his balls cut off. what
was left was an embarrassing walnut that everyone
could see under his clipped tail. he hated being
observed doing his business. he'd crane his
neck around in squat position to see if we were
looking. we'd turn away behind invisible fluttering
fans like geishas. he also had a serious fart
problem. when one would hiss out of his ass
like a steam iron, he'd look more world weary
than ever, stare at his behind with an 'oh God
what WAS that?!...' expression, rise + move
to a distant room, hating his own stench. as
a kid i remember him issuing forth while granny
was playing bridge with her friends. tap tap
tap she'd drum her forefinger waiting to play
her hand. boo would erupt, stand + leave, the
odor so overwhelming it seemed to 'appear' under
the table, wafting into the nostrils of granny
+ co. she was stalwart, her reaction a raised
eyebrow. boo's best friend in the world was
a neighborhood dachshund named mopsy, as diminutive
+ ladylike as boo was substantial. copper brown
with perfect sharp teeth + toe nails. she lived
down the hill, across a skirt of lawn, over
a stream + up a slope in a big brand new millionaire's
yellow stucco mansion. every now + then she'd
wander out onto our field, a nearly invisible
spot against the grass. one afternoon, when
my dad + his pals were driving golf balls from
an imaginary 'tee' near our house, one of the
balls hit mopsy in the ribs. she blew up like
a balloon. she had a habit of getting in the
way. i was painting a 4x8 foot faux picasso
for an art show at school. it had to be laid
on the floor for me to work on it. mopsy clicked
her sharp black nails across the painting in
an effort to satisfy her curiosity about the
paints i was using. they were made from egg
whites. (i fancied myself a fresco artist who's
materials were manufactured from powder + egg).
i picked her up by the skin on her back + threw
her across the room + out the door. i didn't
feel good about it, but mopsy didn't need human
love. she had boo who visited her every day.
he had befriended charlie the milkman, who tossed
boo a milk bone, let him hop into the truck
+ drove him down to mopsy's mansion. there they'd
hang out, go on a garbage hunt, get their fill
+ then walk up the slope to our house. there
they'd sit , side-by-side, just off the flagstone
porch + stare down the hill like a couple of
old ladies in rockers, except to us they were
more like lovers. when it was time for mopsy
to go home, boo'd walk her the whole way + come
back, a bit lonely we thought. after mopsy left
this world (at 17) boo was never the same. he
left himself not long after.
monday 12/10
strike out
my mom was in a recuperation house after having
part of her lung cut out. t.b. i was about 11
or 12. because she was away, they thought it'd
be smart to send me off to camp. camp viking.
on the cape. big trips in big sail boats. big
everything. i made a model of a schooner. sleek
black hull. it actually sailed. that was nice.
but i was sick most of the summer. spent it
in sick bay. there was a knot hole poked out
that looked in on the nurse's station. me +
the other kid laid up in there would peek in
and watch her undress. never saw much beyond
bra + panties. i wasn't sure about myself in
the naked girl turn-on department, but i do
remember liking the shoulder of the other kid
against mine as we watched with naughty excitement.
not that we ever did anything, him + i, although
one night he decided i needed a 'sex lesson'.
he made me take off my pajamas. with a pencil
+ paper he drew a cock + balls + showed me how
'the white stuff' came up out of the balls +
boner. he also showed me on me with the eraser
end of the pencil. i don't think i got hard
or anything, but i never forgot it. but none
of this was as critical or as shameful as the
baseball incident. i didn't know i was a fairy
back then. i did know that i was a shitty athlete,
even before viking + there i was on the field
during batting practice one hot afternoon before
i hit sick bay for good. i stood at the plate,
legs apart, bat cocked like a noodle + couldn't
hit the ball. not once. swing, miss. swing,
miss. over + over + over again. the coach pitched
meatballs + still i couldn't hit. 'you're gonna
stand there, kinscherf, in the batter's box
+ you're not getting out of here until you hit
the god damned baseball!' he warned, level-eyed
- a real man. i stood there shaking + crying
+ swinging + missing + swinging + missing. it
was a horror show. the other kids stood around
watching, scuffing their cleats. he didn't let
them make jokes, but i could hear what they
were thinking: 'faggot'.
monday 12/24
dancing with cuba
im a busy guy. i like t think so. if im hurtling
through the day, the last thing i need is some
unexpected distraction or person obliterating
my bullet head get-out-of-my-way schedule. i
slither out of most of 'em - the big laugh,
the joke at my expense. but sometimes i can't
get away with it. the onslaught is too persistent,
or too cute to say no. it's a good thing too,
because those are the times i can actually fend
off the ticker tape, the static in my head +
enter The Zone, unannounced + nearly free. about
a week ago i dropped down to la casa del lagados
where my landlady, the irrepresable aida lopez
holds court + keeps my mail for me. (i lost
the key to our mailbox a few months back. down
a rabbit hole at the foot of the stairs). so
aida retrieves it from the mailman, straps on
a rubber band to hold what is mostly crap in
place + points it out to me with her big cuban
smile, hands held together in front of her waist.
last week she had her blaster playing some serious
cha cha music. she twirled up at me, grabbed
my wrists + made me dance with her. laughing
it up - her high soprano, musical laugh. dip,
spin, twirl, laugh, cha cha cha. it was crazy.
i was completely caught up in it + i hate to
dance. i'm the sour pus at the wedding when
all the drunks are up on the floor shimmying
+ grinding + laughing + me feeling like a total
boob, checking my watch like the elder bush
debating clinton. i can't wait t get outa there.
last time i actually got off dancing was on
a hit of ecstacy at a gay bar with a Very Cute
'Straight' kid. we were not appreciated. too
many big gestures that didn't go with the territory.
it took a pill to get me out of myself enough
to not think about every little dumb move i
was making + that was one rare night. dancing
with aida was another. i think the two events
are at least 15 years apart, but maybe, had
i lived in cuba...
saturday 1/5
stand by us
stevie macintyre lived in a one story shack,
damp + mildewed, grey rotting shingles + an
absentee mom n dad. or maybe i just never saw
them. he had boxes + boxes of comic books that
we'd pull out from under his bed + leaf through,
lying side-by-side on the floor, up on elbows
like praying mantises. stevie was poor, at least
compared to us kinscherfs. we lived in a big
white three-story house with lots of land, a
horse barn (without horses), a swimming pool,
a vegetable garden + help - 2 tons of it as
my dad used to say. 2 fat women + a rail thin
old man. so what. stevie was my best friend
+ only later did i notice the differences in
our houses or in the incomes of our dads. every
afternoon after school, i'd walk over to his
house though a path in the woods that stood
between our properties. we'd hang out, run around
the fields, show each other our 'things' under
the umbrella branches of a weeping willow, throw
rocks at trains. i don't think we talked much,
but we were inseparable. stevie had mouse soft
hair, cut close with an upturn at his widow's
peak. he wore second hand clothes + his fingernails
were dirty but there was nothing insecure or
apologetic about him. i think the favorite thing
we did was pluck over ripe tomatos off the stems
in our garden (which eventually died a death
of neglect), lick the skin, salt 'em down, bite
into them, juice + seeds squirting our faces
+ smile that big smile of knowing that we both
felt the same joy at the same time. it stayed
like that, stevie + i until richard tebay moved
into town. the new kid. spry, handsome + soon
to replace stevie as the person i wanted most
to be with - maybe my earliest glimpse of homo,
though i wouldn't have called it that. my grandmother
caught us pulling each other's pants off on
my bed one afternoon. he left in disgrace i
think, though after we moved to philly, we wrote
letters, quasi love letters to each other. to
tell the truth, stevie + i were, in a true way,
easier friends. we didn't share or require the
love assault on our emotions. i'm not sure if
he was hurt being upstaged by richard + if he
was i did nothing to quiet him or to repair
our friendship. regardless, both boys played
a part in my early life. stevie by being the
kid who, from the 'other side of the tracks'
didn't have a phony bone in his body + richard
by being the accepting object of my affection.
they continue to live in my heart to this day.
don't they all.
friday 2/1
nostril yoga
when i catch cold + sometimes when i don't,
i have a serious which-nostril-to-breathe-out-of
freak out. one works, the other doesn't. the
working one clogs, the other's clear. a needle
thin stream of air bites the roof of my mouth.
i try everything: lie on side, one sheet fold
covering open nostril; lie on back, head under
covers (cat the fuck out of the way); press
clear nostril into pillow at just the right
angle; twist a wad of tissue into a cork to
plug/adjust aperture; open mouth like grandpa,
make lungs happy, get cotton mouth. if all else
fails: sit up + read until exhausted enough
to not give a shit about what a disaster the
whole thing has become. if i were a shaman or
a guru or a disciple i'd know for sure that
this was an opportunity to practice yoga breath,
elevate my consciousness, arrive. don't breathe,
be happy.
valentine's day 2/14
hot springs
1968. i'm eligible for a draft deferment if
i teach shcool or join the peace corps. terrified
of viet nam, of killing or being killed or of
being a shitty teacher, i opt for the peace
corps (korea) but get the boot half way through
training. the shrink diagnoses me a confrontational
personality in a non-confrontational society.
the classic ugly american. next stop: the teaching
deferment. through yale i land a job as a special
class/art teacher in a one-street town. moosup,
connecticut. i last 8 months. i fall in love
with one of my students, E. he lives across
the street from my boarding house in a listing,
two story shack with his mom, her boyfriend(s)
+ 6 brothers + sisters. by winter, i stay in
his bed every single night. no one minds. we
are tentative physically. i get no sleep + tip
toe out in the morning, shoes dangling from
two fingers, rush across main street, dress
for school + get picked up by the football coach,
heart in vertigo. moosup jr high is not eton
or exeter (where i imagine boys slept with boys
+/or teachers for centuries. a right of passage
+ part of the curriculum). of course this is
bullshit. im working a public school in a tiny
town with tiny minds. E will be found out, shamed
or worse. god knows what will happen to me.
i decide the best thing for everyone is for
me to leave town. i ride to philly on my kawasaki
650, depressed + weakly suicidal. when i call
E up, twenty years later, his son answers: 'dad's
out,' he says. i tell him who i am, how i knew
his dad + before i can finish explaining the
kid shouts: 'rick!? from moosup?!' like i'm
some long lost hero, back from traversing the
globe, the person his father told him about.
when E takes the phone, he tells me that i wouldn't
like him now. he has a pot belly + isn't 'that
way' anymore. he says we'd been good with each
other then + are still so today. maybe we'll
get a beer if he comes up north. but this conversation
occurs long after i try, only one year after
moosup, to take a second crack at teaching.
this time in a co-ed boarding school in steamboat
springs, colorado. what was i thinking? sure
enough, three months down the road i have 'those
feelings' again. this time for K, my english
student. we spend hours together. get messed
up on robitussin, weed. take long walks in the
snow, the electricity of high emotion + laughter
bounces off the hills. sometimes i lie in his
lower bunk, he in the upper we hold hands top
to bottom. not saying a word. smiling. we drive
to the top of a hill, take off our clothes +
slip into the hot springs - floating there,
at peace + forgetting school, job, drama, age
difference (i am 21, he's 16) + thrive in the
moment of our friendship, close, a bit in love.
it is a rare, psychedelic oasis on top of a
colorado peak + though we never 'do anything',
i'm 'caught', accused of sleeping with boys
AND girls + fired. they shunt me off to a motel
where i drop acid + wait 'til one of my teacher
friends sneaks K down to see me one last time.
we hold each other, cry some + then, next day,
K goes back to school + i take the bus to denver
for my draft physical, high as a kite + scared
to death. i flunk. i have letters from two shrinks
that are conclusive: i am both 'suicidal AND
homicidal' - 4F. the ignominious end to both
my last stand as a teacher + dodging bullets
in nam. i write K long letters about everything.
missing him. i guess they were love letters.
the headmaster reads them aloud to the student
body at lunch in the cafeteria terrifying my
friend + dooming our relationship. i try to
repair us by driving to santa barbara + waiting
for him. he'll fly home christmas. but when
he arrives he doesn't want to see me. it had
been too much to bear. the public humiliation.
love drifts + evaporates in a cloud over the
pacific. it is a long, amphetamine drive home.
i suppose, even as i was terrified + partly
ashamed of everything that went down, it was
time to take seriously the idea that i might
become that most pretentious identity: artist/musician/homo.
monday 2/18
mouse twitching
my cat, sofi wan kenobi (or sofia di putzi,
or sofi anon depending on my mood) is a runt.
tiny head. tiny body. funny off kilter walk.
lopsided, skittering run. in fact she gallops
(i hear there's a german word for this) up +
down the hall of our apartment. thundering hoofs.
i chase her in my socks, trying to imitate her,
to make her run faster. she loves this. sofi's
noir, w/ yellow/green eyes + a few straggly
white hairs on her chest. she distrusts everybody.
she hid behind a couch for 2 weeks when i got
her, second hand, from a girl moving to the
west coast. the girl called her zoey, which
was cool, but i had to name her for myself.
if i was gonna feed her + solicit her affection,
then i should call her what the fuck i wanted
to. strangely she's a one man cat + i'm her
man. he who feeds her... of course there's more
to it than that. i think she got kicked around
in her old neighborhood, like nixon. + it's
still with her. the paranoia. she's also sweet.
when she watches tv in my lap, her purr is so
loud you can hear it in the next room. she licks
my hands. she's a pro at seductive 'i love you'
eyes. last summer i had to extract some of her
teeth. they were rotten at the root. it cost
a small fortune. she survived the surgery, but
had to be fed mushed up tuna + water for weeks,
hating the dry pellets when forced to go back.
a funny result: her tongue gets caught in her
missing tooth gums during a licking session.
it gags her little throat. she reels it back
in, like a birthday curly horn contracting into
place, but it makes her look pathetic. i refuse
to let her get fat. i'm obsessive about it.
too much to ask of a dime-sized heart, i rant.
i feed her parsimonious portions 4 times a day
which means she wakes me up at 6:30 in the morning
staring at me. 'NO,' i say. 'NO, SOFI!' but
she's right. she's always right about feeding
time. i lumber out of bed, feet like ski boots
+ clink her pellets into the bowl. afterwards
i can't sleep. i read. noir fiction while my
noir cat glares, nose-to-nose, hoping for a
post breakfast scratch. i give in. pat, purr,
scratch, lean, purr, read. big news - she's
a super hunter. handling the mice problem is
a total sport. i can tell she's caught one when
i hear her leap up + through the secret door
in my closet making muffled meow sounds, mouse
in mouth. she lets it go. chases it to pieces.
i find the poor creature in the morning, tweeze
it's tail w/ a square of toilet paper + dump
it in the garbage. when she doesn't kill it
dead it's not alive enough to interest her.
there it is on the floor, upright, tiny feet
just so. i touch the tail + one little matchstick
leg shivers. i jump. i'm horrified. i can't
put it in the garbage until i'm sure it's totally
gone. i won't let it suffocate in the stench.
but it hurts - this mother nature struggle.
which sofi always always wins. i'm proud of
her, but i feel badly for da poor widdle mouse.
friday 2/22
collision doll
at 14 we thought it would be cool if we could
get cars to crash. at night. on a dark stretch
of road near our house in wayne, pa. there were
nine of us. henry pemberton, four voorhees (harlow,
john, teddy + lilian), keith manley + three
kinscherfs. we made a life-sized doll out of
clothes and stuffing. strung a clothesline across
the street near a bend in the road that was
surrounded by trees. we dropped it there, lax,
with the doll, looking like a ten year old child,
attached, but at rest. we practiced. we would
abruptly tighten the clothesline + the fake
kid would snap to startled attention. it performed
like an early cgi. we waited in the dark, having
sneaked out of our houses after we were sure
our parents were asleep. it was late. past midnight.
in june i think, but i'm not certain. it was
cool out, not cold. no shivering. we waited
in the bushes on either side of the road. we
wanted two cars. one from one end of the street,
one from the other. we heard them coming. we
could see the lights. we knew what to do. we
knew how to escape. we knew the woods, the crazy
property. as they neared, 200 yards between
them, we snapped the rope. the little fake boy
popped up like a startled deer. both cars slammed
on the brakes. tires burned + screeched to a
slow motion halt, but not quickly enough to
avoid cracking into each other. we heard the
smack, glass shattering, one headlight out,
cursing from both drivers, doors opening. we
crept backwards into the black woods + made
our escape, hearts pounding, sweaty, unable
or even afraid to speak. we were pretty sure
no one was hurt, but that they might have been
was a chastening thought. we stopped doing stuff
like that afterwards. we never read about the
accident or heard anything, but we knew. each
of us. it was an unspoken secret. we lived,
if for a few frightening minutes, on the island
of the 'lord of the flies'.
thursday 2/28
the love lottery
don't get me wrong. i like sorella's. something
about it. not quite a diner. hardly an uppity
cafe. the food can be awful. in june a kid was
found puking his omlette into the gutter. you
have to be smart about what you order. eggs
over easy, luke warm home fries, dark toast
with bacon usually cuts it. the coffee is hardcore.
a surefire diuretic. tippy-toe walk to the toilet.
my favorite thing is to go there alone, on a
sunday, eat something safe, read + inventory
the beautiful boys. last week, they sat me upstairs.
i prefer the original room with the ugly greek
art + omlette posters, but i don't really care.
the fat guy who waits, thighs churning against
thighs, is a scenic view in + of himself. strangely,
there is not One Single Handsome Person in sight.
fine. easier to concentrate on my book. i live
dangerously + order a vegetable crepe with a
side of braised tempeh. it arrives tepid, flat
+ the crepe the fat guy smacks down is spilling
over with fruit. i didn't order fruit, but i
refuse to make a scene. we waiters never want
to make a fuss or embarrass a comrade. soon,
however, the big man returns with the veg version
- raw onion, raw sprouts, damaged spinach, cold
crepe. fine. I wolf it down, i'm in a good mood.
my noir novel (the dead yard - mckinty)
is clickity-clacking down the track. i get lost
in it + in the dead yard on my plate, until,
simultaneously, two couples are seated on either
side of my table. the girls as striking, as
the boys. my eyes lift from the page. the kid
facing me on my left has black briary brezhnev
eyebrows, corn blue eyes + full lips, nearly
lipstick engorged. he + his girl spend hours
lost in each other's eyes. the open windows.
not for show. he smiles as i lurch up from the
table to leave, a salad of singles next to my
coffee. i ask, nervously, if he's seen rushmore.
he has. you look like that kid, i say, big smile.
no kidding? it's safe to connect on a silly
pretense. but it is the boy to my right that
takes my breath away. i stare over my glasses
at his legs, beardsley profile, wild art school
hair, big boots. i must look like a sex starved
librarian. i picture him in boxer shorts, boner
poking a tent. a cliche porn fantasy, but what's
really captivating is what he + his girlfriend
are doing. taking turns drawing on a single
napkin. that's right. drawing. with a blunt
golf score pencil. she is engrossed as he looks
on. as if she traces a line on his naked back,
in the sun, on the beach. she pushes the paper
over. his turn. i try to see what the images
are. hieroglyphs of a personal, in-joke nature.
i can't tell. it doesn't matter. it is this
thing between them. this happy, sandbox way
of liking each other that is beautiful. i love
them for it. is she french? she has that paris
girl band of outsiders thing. no makeup, pouty
lips, disheveled hair. who cares clothes. they
are lost in the game. they have won the love
lottery.
friday 3/7
in the weeds
i first get high in college. senior year. 'when
does it begin?' i wonder. 'i don't notice anything...'.
i lie back on a filthy dormitory persian rug,
close my eyes + trip into cartoon land. daffy
duck cavorting in a field of sunflowers, leaping,
laughing - animation by van gogh via disney.
a week later i am listening to horowitz perform
chopin's funeral march. my mother appears in
a pale blue greek robe crossing a cracked dali
desert. her head falls back, freighted with
sadness, exaggerated picasso profile, slow motion
silver tears. she carries my father in her arms,
like a baby, tiny limbs crooked + blackened
like the burnt ends of match sticks. she traverses
the landscape in deliberate martha graham strides.
her movement echoes the dark, lo-end piano chords.
i am shattered by the visceral visual hallucination
created by smoking this tiny, dried up plant.
it is 1967. i am ready to jump on the flower
power bandwagon. ready, set, groovy. but years
later i get paranoid every time i smoke. i talk
too much, laugh too loudly, stare too aggressively,
worry my tits off. pot stops being fun. some
wise man on a street corner explains: this happens
to some of us. it's physiological. your body
reaches a tipping point. bad outweighs good.
mary jane scowls. she no longer smiles. she's
over you. she's moved on. after many more tests
to prove him wrong, i give up. i stop. no more
ganja. no more paranoid nightmares. not for
me. in the late 90's a friend comes to town.
we go to his brother's apartment. the pipe is
passed. maybe this time. maybe my body's cured
of its aversion. 2 puffs later i'm in orbit.
i can't shut up. i can't uncross my legs. i'm
frozen, babbling + jumping out of my skin. my
friend turns to me + says, deadpan: 'you know,
rick. no one is listening to you'. it takes
every ounce of energy to stand up, find a dark
empty room, lie down + wait for it to go away.
clearly my body rejects the high. 2008. on occasion,
with rarely more than one other person, i can
handle a feeble hit + be ok. it's fun again.
pissing takes a century + every conversational
nuance is brilliant; insight around every corner.
i get lost in the face of the beautiful. wow,
man, your teeth, your crooked yellow teeth are
fuckin beautiful. the place where your neck
disappears into your shirt...
wednesday 3/19
first fight
weatogue, connecticut. 1955. our house is a
big-box, 3-story, white clapboard, wrap around
porch, acres of lawn, copper beach trees, massive
untended vegetable garden. it is idyllic, the
least disturbing, miraculous part of my childhood,
until one night, late, after bedtime, when i
get up to pee. flannel pajamas, no hair down
there, watch the stream, shake off when i hear
something. an argument in the kitchen. the voices
thundering up the backstairs. i hear mom, furious.
tears folded like egg whites into the yelling.
i hear dad, screaming back at her. a glass shattering.
i tip-toe to the top of the stairs where the
shouting gets louder, but the words are either
indistinct or i don't let myself understand
them. i hadn't a clue my parents weren't ok
with each other. just that afternoon i helped
dad paint new yorker cartoons on a bathroom
wall (a rare collaboration). last night i watched
mom get ready for a cocktail party in her incredible
gold dress. you look like a movie star, like
tallulah bankhead, i brag. (tallulah's voice
has captivated my prepubescent imagination.
deep, low, ironic. replacing the lone ranger
in my pantheon of luminaries.) but that was
hours ago. this fight hits me like a rock in
the head. I cover my ears + retreat onto the
back porch - a screened-in, second story 'day
room'. there the sound is muffled. i am 'intrigued
+ repulsed at the same time' as my friend jane
said once about a strap-on. it's like discovering
santa claus is a lie. i take mom's side in my
little head. she's hurt. i should defend her.
but is it fair? i hate hating my dad. sure enough,
a month later, things get worse. when he takes
me on a ski trip, i rat him out. he's plastered.
there are women on couches in our bedroom laughing.
one, two? college girls? i'm not sure. this
is new. they're 'guests' i suppose. but they
also seem to 'be with' him in some way i can't
comprehend. while i'm on the phone checking
in i tell mom about it. the drinking, the girls.
right in front of him, close enough to hit.
he goes berserk. he'll never trust me again
- his fairy-assed son. the little boy he calls
the prince as in 'you pay more attention to
the prince than you do your own husband'. this
after she refuses to call in sick for him at
the bank. 'you're hung over, you're not sick.
go to work'. i think she's right, but i'm never
sure. i'm proud of how crazy he is. how easily
he can make her laugh. how he likes to fart
in the elevator + blame it on a stranger. but
remembering that first fight i want to protect
her from being hurt again. so i rat him out.
100%. i shame him in front of his college girls
+ in front of me, his son. i threaten his manhood.
two years later on a train from philly to montreal
for yet another ski thing we kids are about
to conk out in bunk beds, clickity clack train
wheels soothing us down, when dad stumbles in,
shattered. mom reaches back + clocks him, a
sucker punch to the jaw + he goes down. it's
gotta be tough for a guy to be punched out by
his wife in front of his kids. i realize, deep
down, that we love them equally. it is more
painful to take sides than not, even as we did,
jumping from one ship to the other in hopes
of some miraculous balance. we are never certain
where love lies. we wonder if our subsequent
luck or ill fortune in the relationship game
grew from that tight, unyielding yankee tempest.
wednesday 4/2
vacancy
watching last weekend's winter soldier II i
was struck by how distant i am from knowing,
in any profound or visceral way, what it is
that a soldier, any soldier, suffers. i've not
been there as my comrade is shot to death or
has his arm blown off. i've not been there when
the machine gun in my hand severs the head of
my 'enemy' while his son looks on. i've not
been there arriving home, stepping off a bus,
looking into the eyes of family, friends, loved
ones + feeling that they can never comprehend
where i have been, what i have seen or what
i have done. i've not had my humanity trained
out of me, dehumanizing, demonizing 'the other'.
i've never know the screaming pain of having
my leg exploded by a roadside bomb, half my
face acned with shrapnel or my mind lost in
the paranoid nightmare of ptsd. i never will
unless jamaica plain is invaded + i take up
a butter knife to defend my old lady's railroad
apartment. i sit stunned in front of the computer
screen as i listen the story of the father who
takes his 22 year old son's body into his arms
+ lifts him up out of the garden hose noose
he had used to hang himself. i drive to the
rainy anti-war vigil by the monument. we are
few. cars honk by in the drizzle. our quiet
assemblage not noticed by anyone who has the
power stop this war. my out of iraq now sign
blurring in the wet assuages no one hurt or
destroyed in battle. i fear this unknowing although
i am grateful to have never known the hot hell
of war. i ache for those who cry out, but my
pain is nothing compared to theirs. i 'think'
- god bless you, but i don't know who or what
god is.
monday 4/14
cute
‘cute’ applies in a weird way to
my mom, even as she's fighting lung cancer with
chemotherapy treatments in portland. and this
the day before her 77th. she tugs at the edge
of her wig. the tendrils of what’s left
of her hair peek out. i snip some off. we laugh,
but i notice that fear shades her eyes from
time to time, or a far away, inward look as
she drifts off from our conversation. her trembling
hands look up a number in the yellow pages.
her green-rimmed eyeglasses tuck under the wig
like a pencil stuck into a rubber bathing cap.
her empty cornfield eyebrows (one bent + lonely
stalk here, another there) are more sparse than
ever. she walks steadfastly away from the waitingroom
in her regulation robin’s egg blue hospital
robe for an x-ray. she does not look back. her
wig is on right, but to her it feels as if it
bubbles up on top of her head, leaving an itchy
cavity of space between her balding skull +
the nap of the wig. she applies herself to this
assault of lethal chemicals with what-else-am-I-going-to-do-about-it-I-hope-this-works-matter-of-fact
yankee courage, dread, hope + helplessness.
all this is transparent in her wrinkled face,
the face which she finds ‘so old’
when she looks in the mirror. tonight I catch
a glimpse of her in her underpants + sunset
boulevard turban. she says goodnight all over
again as she sees me seeing her, but she does
not start. she is not ashamed of her body, of
her mottled skin - the testament to her ongoing
battle with pre-melanoma. she is girlish undressing
for bed, caught like a snapshot in the soft
light.
tuesday 5/13
rage dichotomy
when i was a teenager one of the seniors in
my high school, a kid named castigliano, punched
me in the face, twice, + shoved me into a swimming
pool for 'foul-mouthing his girl' (why do we
never forget these things?). i had no idea what
he was talking about. i'd had maybe 5 beers
+ was just standing there, at the edge of the
oval pool, zit-faced, nonplussed, oblivious.
that's when castigliano clocked me. springing
into action, before the 2nd hit, i clenched
my fist. i was gonna give him the goods for
real, but i...ah...didn't have the balls. my
arm froze. ok, he was bigger, stronger + nastier
than me, but the picture in my head - my fist
to his pretty jaw - disarmed me. i couldn't
hurt him, or was afraid to, or so i told myself,
or, or, or. my friends yanked me out of the
chlorine, dabbed at the cut on my face + consoled
me, but i never got over it. i whimped out -
a total fag. this confuses me today because
i'm such a sicko badass steroidal motherfucker
on the turnpike. any asshole hugging the bumper
of my old lady's grand am + i hang in there
like a mule, 20 mph over the limit, a wall of
traffic in the right lane, a stream of cars
in mine + this bastard can go fuck himself.
i revel in the phantom violence. i will not
give one inch from my little safe house motor
vehicle. when at long last there's an opening
on the right for me to scoot into + let him
pass, i ignore it. i even slow down a bit just
to piss him off, hit the gas, +, lurching ahead,
smiling my most vindictive smile. this fucking
cunt will not pass my big fucking gay-assed
red car, period! i play chicken with 16-wheelers,
six pack pick-up trucks, mercedes elitists -
a silly, lethal contest of wills that i choose
to play, cool in my cocoon, tense hands on the
wheel, on fire with clenched-jawed glee. i am
the total opposite of the girly boy at the pool
who was too chickenshit to fight back.
saturday 5/31
fish nets
you make a snap decision + it turns out a total
fiasco. this time it was fish nets. lime green,
sparkly fish nets. at a college, a fucking college.
short shorts, a see-thru skimpy 'blouse', gold
reflective converse all stars + fucking lime
green fish nets. if this was a nod to glam,
to bowie, to some consistent 'look' maybe it
could have cut it. but no. this was a fluke.
it came outa left field. right up there with
the gold lame pajamas i wore for an orchestra
luna show at the orpheum. the band didn't get
written up, but the pajamas did. 'jumping around
the stage like a hot potato in tin foil'. good
going, berlin. + The Hair. forty colors over
12 months, but nothing consistent. nothing that
held. just a weak water color smear. one hair
job - swimming pool blue. i'd hoped for superman
blue. the chick who did it fucked up. i washed
it out + colored it over to some weak pinkish
result. laughing stock pink i think it was.
ah, image. how you failed me. on the top of
the mountain: the lime green fish nets with
leg hair squirting out between threads.
sunday 6/22
bad burgers
in the dentist chair for a new crown to replace
one 30 years dull w/ decay. doc says i have
'long roots' which is why i need not one but
three hits of Novocain or else i flop around
in the chair like a trout. the temporary insert
is plastic. 'chew on one side til you get the
new one' he advises. home later, the drug worn
off, my jaw throbs w/ the abuse suffered. the
left side of my mouth can't smile. drool drools
out. it hurts to open up. eat something, you'll
feel better i tell myself like a jewish mother.
i check the food wall menu to find something
tofu soft + then rethink. there's leftovers
in the fridge from the barbecue last sunday.
toss out the chicken (it smells like fart).
accept the frozen tomatoes, weak lettuce + two
ok burger patties. tweeze out the crusty bottom-of-foot
yellow bun. plop the patties into a the Teflon
skillet i bought my room mate travis months
ago, replacing his old one - the surface so
scarred it took very un-Teflon, violent scrapings
to scour. i tap on garlic powder, pepper + cover
the pan with a glass top. seems as if it's gonna
take awhile to get done so i drift back to the
piano to practice. losing track until i smell
something foul. the burgers! fuck! at first
i hope (finger to chin): hmm..., they must be
ready. wonderful. but the kitchen's a disaster,
the pan in flames, smoke like a dust storm +
the burgers transmogrified into rock hard charcoal
briquettes. i click off the burner + yank the
pan clear just as the smoke alarm screams -
a robotic female voice: 'fire! fire!'. smoke
obscures kitchen + hallway. i flip on the day
porch fan + grab another from downstairs to
suck out the smoke. it crashes to the floor.
my cat skitters down the hall, rear legs like
dragon fly wings. i re-set the fan, the smoke
dissipates, the alarm gives up + i construct
a sorry assemblage of bun, 'blackened' burger,
sliver of nasty cheese, 2 tomatoes, slab of
lettuce + a squish of ketchup. i had to chisel
the burgers off the pan. a hammer would have
helped. i eat the bed i make. i eat the embedded
teflon too. i shuffle down the hall + fire up
the latest episode of the wire. i inhale my
pathetic dinner, careful to keep everything
to one judicious side. later, washing up, i
realize i'd destroyed the new Teflon + will
have to buy another. hey, not all faggots can
cook.